Every year, the South Korean music industry serves up a wide array of music that spreads its reach across the globe, experimenting with the limitations of popular music. The past 12 months, however, were transformative for reasons beyond the music: long-overdue conversations regarding the unjust structural and social issues became unavoidable. We went into the year disillusioned by idol culture and facing the grim realities of power dynamics in South Korea, and are coming out with increasingly loud cries to protect our idols , particularly women. With the world now truly entering what is largely being called the "Fourth Wave of K-pop", we are looking at an industry standing on the precipice of much-needed change: in terms of how it treats its stars, how they connect with fans, and how its existence is gradually becoming a normal part of global music culture. Taking this all into account, we put our heads together to determine what were the stand-out songs coming out of the Korean scene amid all of this.
Biggest gain in digital sales. Kid Harpoon, T. Johnson H. Styles, T. Hull, M. Rowland, T.
The Billboard charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in Billboard magazine. Billboard biz, the online extension of the Billboard charts, provides additional weekly charts,  as well as year-end charts. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot song chart, all three data are used to compile the charts.
Tainy D. Lipa, J. Osorio Balvin, B. Martinez Ocasio, D. Peterson, M. Masis Fernandez, A.