The Funeral () - IMDb
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Ferrara is the punk poet laureate of a city that no longer exists. When funding for his projects dried up inFerrara moved to Italy. But for three years, he's been back home, downtown. I know the neighbourhoods," he says.
Last year's spat with Werner Herzog over Bad Lieutenant: Port of Call New Orleans generated plenty of publicity in an industry where name recognition is everything. Finally, it seemed like his career was on the rise again. But a lifetime of broken Hollywood promises has made him wary. You want to make movies on telephones, I'm there.
We arrange to meet in a nearby bar, but when the jukebox plays Sinatra's New York, New York twice in a row, it's time to leave. It's only a few metres to his flat, but that's enough to be stopped by a group of tourists, eager to talk movies. He politely waves them off. It is a simple galley, but it inevitably reminds me of the shot in Goodfellas when Ray Liotta and Lorraine Bracco enter the Copacabana nightclub through the basement.
Piazza Vittorio () - IMDb
Ferrara has been granted the freedom of Little Italy. Each time he finishes a beer, he takes another from the fridge without asking.
Shot in with a handheld digital camera, ambushing interviewees in the crowd, it portrays a neighbourhood that has become a caricature of its former self. The ghosts of Mean Streets and the Godfather still attract visitors, but the mob guys are gone, to the suburbs and New Jersey.
On this block there's not an Italian-American left. Five years ago, his exploration of spiritual crisis, Mary, starring Juliette Binoche, swept the board at the Venice film festival, but didn't reach American cinemas.
The only way to watch his most recent films is to download them illegally. In France, Ferrara is considered an auteur: In Britain, he is regarded as a sensationalist lowlife whose films rely on gratuitous nudity, drug use and violence.
His official debut, The Driller Killer, was actually his second movie. The first, Nine Lives of a Wet Pussy, was straightforward porn, starring his girlfriend, her friends and a hired cast of studs, one of whom had difficulty rising to the occasion.
The crew drew lots, and he lost, thus making his first appearance in front of the camera. When The Driller Killer arrived in Britain instraight to VHS without certification, it was cited by Mary Whitehouse as one of the "video nasties" corrupting our youth.
It does, as advertised, show people being murdered with a power tool. It's also a vivid depiction of artistic alienation, full of evocative shots of New York, but that didn't matter to the Daily Mail. Ferrara takes pride in his capacity to shock. Ferrara pulls out his phone and finds a photograph of 50 Cent.MARY - Bande-Annonce (VOST)
The script was co-written by Ms. Both Ferrara and Keitel were nominated for Spirit Awards and, despite its controversial content, the film was lauded by critics. Director Martin Scorsese also named it one of his top 10 films of the s. The Addiction  and The Funeral It was also co-produced by Russell Simmons. The multi-plot film concerns an actress Binoche who stars in a Passion of the Christ -like movie about Jesuswhere she plays Mary Magdalenewith whom she subsequently becomes obsessed.
Matthew Modine portrays the director of the film, who bears striking similarities to Mel Gibson. Mary premiered at the Venice Film Festival in It was also seen at the Toronto International Film Festival.
It premiered at the Cannes Film Festival and was either highly acclaimed or vehemently disliked. Ferrara began preparations for Jekyll and Hyde inwhich was to star Forest Whitaker and 50 Cent. After disagreements with Warner Bros.
Ferrara plays a small role as a mugger in the independent film Daddy Longlegs Also inFerrara teamed up with Film Annex, an online film distribution platform and Web Television Network, to launch www. In a press release about the new web channel, Ferrara said, "We have been looking for a place, a home to express what we are doing and to avoid the misinformation found when we are not active on a website. With Francesco Rullithe Founder of Film Annex, we hope to create a distribution platform for the work, both past and present, while actively interacting with our audience, collaborators and other filmmakers.
The film was shot in one location, an apartment, set during the course of the last 24 hours before the biblical apocalypse.